Due to heavy rain in the forecast, tonight’s High Line Tour: From Freight to Flowers has been canceled. We look forward to seeing you on a future tour!
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Jessica Jackson Hutchins (b. 1971, Chicago, Illinois) lives and works in Chicago.
Kissing and Barking is a monumental sculpture composed of intertwined figures that shifts as viewers move around it to reveal the convergence of multiple bodies and ambiguous forms. Based on a hand-built papier-mâché and wire model, the enlarged work would retain its soft, collage-like surfaces and irregular contours, despite being fabricated in either fiberglass or cast aluminum. Embedded urban debris, including bottles or cups, connects the sculpture to its surroundings.
Can you imagine this artwork on the Plinth? Why or why not? Is this proposal a good fit for the High Line? For New York City? For our time? Your comments will be shared with High Line Art's curatorial team and will help inform their selection of the shortlist of artists for the seventh and eighth commissions. Include your email if you'd like to stay up-to-date on the Plinth process.
Major support for the High Line Plinth is provided by members of the High Line Plinth Committee and contemporary art leaders committed to realizing major commissions and engaging in the public success of the Plinth. Learn more about the High Line Plinth Committee.
Renderings courtesy of the artist.