Due to heavy rain in the forecast, tonight’s High Line Tour: From Freight to Flowers has been canceled. We look forward to seeing you on a future tour!
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Kei Imazu (b. 1980, Yamaguchi, Japan) lives and works in Bandung, Indonesia.
Current draws on a 1667 commercial exchange between the Dutch and the English in which Manhattan was traded for Run, a small island in Indonesia. A layered sequence of forms—oyster shell, nautilus, and suspended oceanic imagery—traces how land became a resource within global systems of trade and extraction. Air plants at the top reflect the present city, linking past ecologies to ongoing cycles of value and exploitation.
Can you imagine this artwork on the Plinth? Why or why not? Is this proposal a good fit for the High Line? For New York City? For our time? Your comments will be shared with High Line Art's curatorial team and will help inform their selection of the shortlist of artists for the seventh and eighth commissions. Include your email if you'd like to stay up-to-date on the Plinth process.
Major support for the High Line Plinth is provided by members of the High Line Plinth Committee and contemporary art leaders committed to realizing major commissions and engaging in the public success of the Plinth. Learn more about the High Line Plinth Committee.
Renderings courtesy of the artist.